Monday, October 5, 2009

Cnidus Aphrodite

Cnidus Aphrodite


ArtistEnglish: Copy of Praxiteles; restorer: Ippolito Buzzi (Italian, 1562–1634)
Français : Copié de Praxitèle; restaurateur : Ippolito Buzzi (1562-1634)
DescriptionEnglish: Cnidus Aphrodite. Marble, Roman copy after a Greek original of the 4th century. Marble; original elements: torso and thighs; restored elements: head, arms, legs and support (drapery and jug).
Français : Aphrodite de Cnide. Marbre, copie romaine d'après un original grec de Praxitèle du IVe siècle av. J.-C. Marbre, éléments originaux : torse et cuisses ; éléments restaurés : tête, bras, jambes et support (manteau et pichet).
Current locationNational Museum_of Rome - Palazzo Altemps
Ground floor
Accession numberInv. 8619
Credit lineLudovisi Collection
Source/PhotographerMarie-Lan Nguyen (September 2009)
Licensingthe copyright holder of this work, release this work into the public domain. This applies worldwide.


From Wikimedia Commons

Saturday, December 13, 2008

Statue of Venus (Sanssouci)

Statue of Venus (Sanssouci)


DescriptionPotsdam, Sanssouci, Plastik Venus von Pigalle
Potsdam.- Sanssouci, Venus von Pigalle an der Großen Fontaine
Date12 December 2008
PhotographerMax Baur (1898–1988)
InstitutionGerman Federal Archives
Nachlass Max Baur (Bild 170)
Accession numberBild 170-710
SourceThis image was provided to Wikimedia Commons by the German Federal Archive (Deutsches Bundesarchiv) as part of a cooperation project. The German Federal Archive guarantees an authentic representation only using the originals (negative and/or positive), resp. the digitalization of the originals as provided by the Digital Image Archive.
LicensingThis file is licensed under the Creative Commons Attribution-Share Alike 3.0 Germany license.


From Wikimedia Commons

Thursday, August 21, 2008

Aphrodite and the dolphin by Emil Wolf at the Hermitage

Aphrodite and the dolphin by Emil Wolf at the Hermitage


DescriptionEnglish: Aphrodite and the dolphin by Emil Wolf at the Hermitage.
Date20 August 2008
SourceYair Haklai
AuthorYair Haklai
LicensingThis file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.


From Wikimedia Commons

Wednesday, April 9, 2008

The Spirits of Fountains and Trees top

The Spirits of Fountains and Trees top

The earliest Greeks seem to have bowed down in prayer before the great forces of nature-thunder and lightning, wind and rain, flood and earthquake.

"There are powers back o fall these things." said the Greeks. "Let us worship them."

So it was that they knelt to the Spirits of Fountains and Trees, of Caves and Mountains. They did not then speak of such gods as Zeus and Hera, Hades and Hermes. Trees were supposed to have a special sacredness. Certain one were thought sacred to certain god-powers.

Large caves were worshiped because of the mysterious darkness within. People tossed dice in front of a certain cave and thought that the god-power would make the dice fall in such a way as to answer questions. In time the Greeks became tired of not knowing how the gods looked. Statues were made as images of the spirits of gods. What shape did they give to their gods? The human shape. That was natural, for what other creature on earth could they think so nobly made? It was also natural that they should make their gods look like the most beautiful persons who could be found.

Even after the gods had been put into human shape, their homes were mountains, caves, trees and fountains. The home of the chief gods was Mount Olympus. Other gods were located here and there all over the land and sea. Statues of gods and goddesses were often placed under the branches of trees. This was to protect them from rain and snow, to give them shelter. Sometimes statues were placed in hollows made in tree trunks. The tree-home for the gods was the beginning of the temple. Later on the Greeks made marvelous temples to house their gods.

Tuesday, January 22, 2008

Epic of Darkness (黑暗傳)

Epic of Darkness (黑暗传)

Alternative Names (異名):
黑暗传, Hēi Àn Zhuàn, Epic of Darkness


The Epic of Darkness (黑暗传; pinyin: Hēi Àn Zhuàn) is a collection of tales and legends of primeval China in epic form, preserved by the inhabitants of the Shennongjia (神農架林區) mountain area in Hubei (湖北). As such, it is the only such collection preserved by people classed as belonging to the Han nationality. It contains accounts from the birth of Pangu (盤古) till the historical era


History

On August of 1982, Hu Chongjun was given a songbook by an old local farmer. The booklet, written in brush and ink with about 3,000 lines of seven Chinese characters each. The Book is split into 4 sections; the beginnings of the Universe, the Birth of Pangu, The Great Flood, The birth of mankind till the beginnings of the Three Sovereigns and Five Emperors. Hu began to study and gather the manuscripts from accounts of old people living in Shennongjia.

Liu Shouhua, a professor at the Chinese Culture Department at the East China Normal University, read the ballad and believed that the Epic of Darkness may represent the Han chinese creation myth that has been handed down in oral form.

Yuan Ke, a scholar in Chinese mythology, carefully studied the original materials and supported Liu's suggestion that the Epic of Darkness is a folk epic. Yuan said that the discovery of "Darkness" could be regarded a historic event in the folklore history of the Han people. Yuan suggested some people should further study the different versions and rearrange with caution, the manuscripts into an integrated epic, without ruining its original flavor.

Hu was chosen to compile this massive epic.

It took him 9 years to finally finish the collection. With 5,500 lines, the new edition was selected as the best of many different versions, compiled after Hu skimmed through more than 30,000 lines of the original manuscripts. Liu, who has read most of the original material, said, "So far, the content of this edition is the richest one. Compared with other versions, this edition is more beautiful and is in the linguistic style."

In the same year, the Beijing-based Hualian Publishing House bought the copyrights to publish the Epic of Darkness. But due to financial problems, the publishing was delayed the publication of the book year after year.

In 2000, Zhou Baiyi, publisher of the Changjiang Arts Publishing House, persuaded Hu to end his former contract with Hualian Publishing House and gave rights to his publishing house.

In 2001, Hu signed a new contract with Changjiang Art Publishing House and went to Wuhan for some final editions. The final edition of The Story of Darkness would finally see the light of day.

Hu said that the mountains and nature have protected it from modernization and enabled "Darkness" to be handed down from one generation to the next and into the modern day.


Plot Summary

In the beginning, everything was a cloud of gas, chaos and darkness. After eons of effort, the first drop of water was created by a deity named Jiang Ku (江沽). However a god named Lang Da Zi (浪荡子) swallowed that drop of water and died. His body was split in 5 forms, Metal, Wood, Water, Fire and Earth. From the elements was born Pan Gu who split the heavens and the earth before he eventually died and his body became the Earth. However mankind has yet to be created at this time. From the 5 elements and animals were born demons and gods who fought each other until a great flood overcame the land. From this great flood, two dragons one black and one yellow fought a great battle. A goddess, Sacred Mother Wu Tien , helped the dragon defeat the black dragon. In gratitude, the yellow dragon laid 3 eggs which the Sacred Mother swallowed and gave birth to 3 gods, Heaven, Earth and Hell. Later from the flood came 5 dragons who found a gourd in the Eastern sea. Wu Tien opens the Gourd and found two humans, Fuxi and Nuwa, and tells them to copulate and thus humans were born after the flood waters recede.


Links

http://en.wikipedia.org/wiki/Chinese_mythology
http://en.wikipedia.org/wiki/Category:Chinese_mythology


Hubei | Chinese mythology | Epic poems | Chinese mythology stubs

East Sea of Chinese mythology

East Sea of Chinese mythology

Alternative Names (異名):
East Sea of Chinese mythology


East Sea (Chinese: 東海; Pinyin: Dōng Hǎi) is identified as the body of water east of the mainland, according to ancient Chinese geography. It contains modern day East China Sea as well as the Yellow Sea and Bohai Sea.

In Chinese mythology, East Sea is the domain of Ao Guang, the Donghai Longwang (東海龍王), or "the Dragon King of the Eastern Sea", who is responsible for controlling its storms and tides. Supposedly, the Dragon King resides in a large "dragon palace", the Donghai Longgong (東海龍宮), located at its bottom.


Links

http://en.wikipedia.org/wiki/Chinese_mythology
http://en.wikipedia.org/wiki/Category:Chinese_mythology


Chinese mythology stubs | Chinese mythology

Wednesday, January 16, 2008

[Chinese] Celestial bureaucracy

Celestial bureaucracy

Alternative Names (異名):
Celestial bureaucracy


The Celestial bureaucracy is the pantheon of Chinese mythology. As the name suggests, it is organised similarly to a government administration, with the Jade Emperor (玉皇) as the senior official to whom the other deities must report. The constituents of this bureaucracy are decided in the Underworld, where extremely good souls will rise to heaven, much like the exams used here in our world. They govern aspects of our world, like fire or epidemics. Many notable immortals are on this pantheon, and one can get on it by applying for a post (only if you are a rather strong god), or committing a good deed in the name of heaven, and thus possibly get an honorable title or a reward. Note that there are spiritual forces higher than it, like Tai Shan Lao Jun and the 3 sacred masters of the Dao (三清).


Links

http://en.wikipedia.org/wiki/Celestial_bureaucracy
http://en.wikipedia.org/wiki/Chinese_mythology
http://en.wikipedia.org/wiki/Category:Chinese_mythology


Chinese mythology | Chinese mythology stubs